Multidisciplinary artist Hyd (Hayden Dunham) reveals new album Hold Onto Me Infinity. Zooming between the intimate and the infinite, the album is a powerful testament to music’s ability to cross timelines, physical thresholds, and lifespans, while dancing in between this physical world, and the one beyond.

Opening track “Angel,” produced by Hudson Mohawke, a chief collaborator on the album, the song written by Dunham and Benny Long, positions a loved one posthumously as a guardian angel, introducing a question that reverberates throughout the rest of the album: where do the dead go, and how do we experience them in new forms?

With Hold Onto Me Infinity there is a physicality reflected in the album’s drum-forward sonic palette, where the vibrations are designed to be felt in the listeners’ bodies as much as they are heard. The album cover, shot by Michael Bailey Gates, reflects this liminal blur between the existential and elemental. Made without artificial effects, it uses a glass sculpture made by Dunham, pyrotechnics, mirror reflections, and a sunset poking through a pierced window to create a portal within the image that holds both this physical reality and another world. This analog approach was a necessity that emerged out of Dunham’s intermittent loss of vision over the past seven years, which made them extremely sensitive to artificial light. This condition continues to have profound impacts on their senses: when their sight receded, other (extra)-sensory skills emerged; when it returned, they felt extra-embodied in their body and the juiciness of being.

Hold Onto Me Infinity is the follow up album to Hayden’s celebrated debut CLEARING. Informed by their wider artistic practice, Hyd’s music is the result of interior research, community dialogues and material exploration creating an immense ecosystem. Dunham is represented by Company Gallery for their work as a fine artist, and their pieces have been exhibited at museums including MoMA PS1 and the New Museum.